MONOLODGE
MONOLODGE, created by the Unicycle Collective (Seattle’s
first and only theater company dedicated to solo performance),
is a live anthology, the theatrical equivalent of a short-story
collection: Brief but chewy theatrical concepts stripped to the
bare essentials of a performer and an audience. Previous
incarnations of MonoLodge have been seen at Theatre Off Jackson
and as part of the Solo Performance Festival.

MonoLodge 6 will feature 9 brand new works, each inspired by
Annex’s prime time production ‘LOVE’S TANGLED
WEB’. Though linked by a common theme, each piece is
guaranteed to be as unique as the performers themselves.

MonoLodge 6 features:

* CHRIS BELL performing ODE TO AN OVERNIGHT CUSTODIAN RESIDING
IN ROCHESTER, MN
* CHRISTA BELL (April 24-25 & May 2 only)
* KELLEEN CONWAY BLANCHARD performing RIDING THE BULL
* KEITH HITCHCOCK
* MARISSA RAE NIEDERHAUSER performing SUPPRESS
* MARY PURDY performing BRANCHING OUT
* SETH ROSENBLOOM performing FLIRT ON
* MARK SIANO performing THE COUNT (May 3 & May 8-9 only)
* KATE SMITH performing FUNERAL SAD

DATES: April 24, 25, May 2, 8, and 9 at 11pm. May 3 at 8pm

WHERE: Annex Theatre–1100 E. Pike St (which is actually on 11th
at the corner of 11th & E. Pike)

HOW MUCH: $9 general, $5 students/seniors/military/TPS

FOR MORE INFORMATION: Call 728-0933 or visit
www.annextheatre.org

Welcome Welcome

March 20, 2008 at 4:31 am (Uncategorized) · Edit

My short play Happy Straws is going to be part of June’s Spin the Bottle at Annex Theater. Spin the Bottle is their late night, monthly, cabaret show featuring all kinds of awesomeness. Come see it Friday June 6th 11pm at 1100 East Pike.

Everyone loves terrifying puppets with yarn hair. And I got to write a little play for them. Alice Nelson produced A Night at the Grand Guignol in Calgary in Februrary and my play “A Matching Pair” was smack at the top. Grand Guignol means Big puppet and at the Theatre du Grand Guignol in Paris ( 1897-1962) it was known as the “Theater of Laughter and Terror”. Apparently, it all went really well. Because, people like awful, fuzzy puppets, plus blood.

In January I was allowed to be part of pretty much the most scary, most fun, best creative kick in the ass- 14/48

What is it?

14 plays conceived, written, rehearsed, scored, directed and performed in 48 hours.

The result? An awesome experience that featured a lot of late night hyperventilation and then happiness and also talented people-and two new plays that I wrote- Crocodiles and Deep and True. Check out the photos taken by David Baum.

And read more about 14/48 on their blog

1448fest.blogspot.com

Theater Review
Putting the “fun” in “dysfunctional family”
By Richard Wallace
Special to The Seattle Times

Playwright Kelleen Conway Blanchard is a lot like you and me. She gets up in the morning, finds some beverage to wake up her brain cells and starts her day in front of her computer.

Here is where our similarity probably ends. Because when you dive into your e-mail, Blanchard dives into her subconscious, and what she brings back are images of twisted Americana that would make David Lynch smile.

Small wonder then that Annex Theatre, now celebrating its 20th anniversary, has chosen to produce a world premiere of her play “Small Town” as part of its “Oyster Series.”

Directed with fiendish charm by Bret Fetzer, Blanchard’s domestic comedy is a country-fried horror show.

Think of a worst-case scenario for a family unit. It’s got to be the Ledbetters.

Blanchard starts with clichés that she turns into cartoons.
Then she gives her cartoon characters enough interesting quirks to turn them into real people. It’s the “Simpsons” technique, and it works really well with the biggest cliché of them all: serial killer.

Ruby (Teri Lazzara) is the mom. Ruby wears a beehive hairdo the height of a parking garage. She smokes through a hole in her throat and rarely gets out of her bathrobe.

Her one-eyed daughter Lucinda (Betsy Morris) hangs out perpetually on the couch, half the time dreaming of her former glory as a two-county “pork queen,” the other half wondering if her faithless, loser boyfriend Bud (Daniel Christensen) is worth the trouble.

Ruby’s son, Stu Lionel (Aaron LaPlante), rounds out the family trio. Stu Lionel, a giant boy who aged into a man, spends all of his time in the family basement doing — well — we’re not sure.

With the arrival of Sheriff Dwayne (Chris Dietz), Stu Lionel’s underground activities take on sinister implications. Dwayne tells the Ledbetters that a number of mailmen are missing — 17 so far — a fact that doesn’t seem to surprise Stu Lionel one bit.

The ensemble enjoys every gruesome minute.

Every actor gets funny, outrageous stuff to say and do. Several even get to sing.

The pearl in this delirious swine of a show is Morris, who gives child-woman Lucinda a kind of big-hearted weirdness that is as winning as it is demented.

Finally, though it is early in the year, Bret Fetzer’s witty set design is a 2007 front-runner in the make-something-really-great-out-of-nothing category.

Copyright © The Seattle Times Company

Small Town Review
Seattlest.com

Now, don’t let the chicken- and cat-rape, possum-gutting, or deep-frying a sparrow put you off. (Or the hamster, which we don’t have time to get into.) There’s a lot of tenderness to playwright Kelleen Conway Blanchard’s depiction of small-town life. And if former Pork Queen Lucinda is one-eyed, the Sheriff’s plastic cranium doesn’t seal that well, bemulleted Bud has testicular size-and-quantity issues, and Lucinda’s brother Stu Lionel has a too-lively fascination with dead things (and how they get that way), that just says something vital about what it means to be human — any rich, vibrant tapestry has got to have a few loose ends.

It’s hard to imagine getting more snorted laughs and eyes-wide guffaws out of $10, and that’s a fact. Now, you may protest that the white trash thing has been done. You may say, “37 vivisected mailmen? Come on!” Hey, art is a mirror to life. You don’t even have to leave this site to find worse and even worser examples that all is not right on American continent.

What Small Town has got in spades is authenticity, and we’re not just referring to Bud’s ballsy a capella country version of the Scorps power ballad “No One Like You” (complete with porn ass-slapping for the “I imagine the thing’s we’ll do” line), or the ensemble’s bluegrassy take on Outkast’s “Hey Ya.” We’d never have guessed from seeing Kelleen in her daily Goth attire that she’s glimpsed the soul of the residents of American hamlets and hollers, and if the plot can make you feel like you’ve suffered some moonshine-induced blackouts, screw it, there’s a case to be made that this is all true to the messy, untied-up, one-damn-thing-after-another lives of small town folks. Last night the place was sold out, and the applause went on for a long time.

Lerner & Loewe, suck down an empty jelly jar of hooch and meet Blanchard & Fetzer. We’d like to thank director Bret Fetzer for the concern extended to every facet of these grubby little people, the John-Waters-like compassion and understanding. We’ve seen some Annex work over the years where the cast might have wanted anonymity — not here. We were in awe of Betsy Morris as Lucinda. Not everyone can pull off that drawled, trailing-off conversational add-on, developed after years of being unlistened to. And tomcatty Bud (Daniel Christensen), nice-boy Sheriff Dwayne (Chris Dietz), hairtriggered Ruby (Teri Lazzara), and “slow” Stu Lionel (Aaron LaPlante) each manage to truly inhabit a small-town life: the everybody-knows-each-other’s-business approach and deference due to unusual hobbies and life pursuits.

The tricky part is finding the actual theater. We thought it was downstairs at CHAC, and it sort of is, but you go through this door just to the left as you enter, and down a hallway, then take another left and climb some stairs, go through another door, and you’re in the Annex lobby.

Small Town
Annex Theatre @ CHAC
7:30pm, Tues. & Weds., through February 21
Tickets: $10/$7 students/seniors

Photo by Jennifer Cabarrus. Pictured, Daniel Christensen and Betsy Morris.

Small Town
by Kelleen Conway Blanchard
- Opens Tuesday, January 23rd

America. Somewhere in the middle. The Ledbetters are a typical family – if “typical” includes a mother with a beehive hairdo taller than a grain silo, who chain-smokes through her tracheotomy-hole; a one-eyed sister, former “pork queen of two counties”, who wrestles alligators for fun: and a son who – well, let’s just say he’s super nice, if a bit slow. But, when 17 mailmen go missing, and the Sheriff comes a-courting, anything is bound to happen. Love can be kind of funny that way. “Small Town ” will be presented at the Gail Stellner Studio at the Capitol Hill Arts Center (1621 12th Ave, Capitol Hill, Seattle)

A super fantastic new theatre produced my play
Self Obsession in Blue this Summer for the Inaugural Capital Fringe Festival.
Check them out at management company.org

Season Two of this super funny locally produced spoof on Angel is out and I wrote an episode. So there. I don’t think the second season is all on the site yet but the first season is.

This here is a photo from my episode. I like my actors all greased up. Yes I do.
So check it out.
on
cautionzero.net/cherub.

Part of my play Small Town will be performed at this keen event. Plus many other super peices will be seen. Come!

Open Box: The Greatest Hits
Saturday, September 16th 7pm

Seattle Dramatists celebrates Open Box, the open mic for playwrights, with
an evening of six of the best pieces that have been read at Open Box over
the last year-and-a-half. The selections include scripts from Elizabeth
Heffron, Kelleen Conway Blanchard, Danny Walter, Toby Scales, and more!

Open Box: The Greatest Hits is one night only – Saturday, September 16th at
7pm in the same venue where we hold Open Box, the Jewel Box Theatre in
Belltown (2322 2nd Avenue) admission $10. (There is a discount if you
participated in Open Box as an actor or playwright between January 2005 and
May 2006.)